9125 Rock River Rd

Stone is the first material you touch. The arched entry surround is full-thickness veneer laid tight against dark wood paneling, and the masons had to template each piece around the curve so the joints stay consistent from the spring line to the crown. A glass front door sits recessed inside that arch, which means you're standing under stone before you ever reach for the handle. The concrete porch pours flat and clean beneath it all, and the modern wall sconce throws light up into the barrel of the archway at night.

Light wood slab cabinetry with matte black hardware runs the full perimeter of the kitchen, and the grain direction is consistent door to door — that's a detail the cabinet shop has to plan for at the cut sheet stage, not in the field. The marble island is substantial, with gray veining that carries across the slab and down the waterfall edge to a brass faucet mounted through the stone. Open shelving flanks the black range hood on both sides, which keeps the wall above the cooktop from feeling heavy even with that much hood mass. I would venture to guess the island alone runs close to ten feet, and from where the homeowner stands at the sink they can see straight through to the great room.

Bronze. The shower fixtures in the primary bath are a warm bronze finish — rain head, valve trim, handheld — and they sit against a geometric patterned tile that reads as woven linen in neutral tones. That tile pattern required the installer to keep the directional grain aligned sheet to sheet, because any rotation would break the weave. A built-in shelf with a linear profile is recessed into the wall, and the linear drain at the floor keeps the shower pan pitched to a single slot instead of a center point.

The basement bar top is a single live edge slab — walnut, from the look of it — mounted on a steel base and finished to show the natural edge on the seating side. Behind it, an arched alcove houses a built-in wine rack and open shelving against dark gray walls, with enough depth for bottles and glassware without crowding. Gray upholstered stools on steel frames tuck under the overhang cleanly. That arched detail in the alcove mirrors the stone arch at the front entry two floors up, and so the house connects vertically through shape even when the materials change completely.

Olive green vertical tile wraps the shower and tub surround in the secondary bath, and the elongated format means fewer grout joints horizontally, which keeps the walls reading as solid color planes. Palm leaf wallpaper on the vanity wall is a bold call — not something you see in most Lincoln builds — but it works here because the green tones in the paper pull from the tile and the dark vanity grounds the whole composition. Brass pendant lighting and hardware warm the room without competing with the pattern. Glass separates the wet area from the dry side, and the toilet sits against tile rather than drywall, which tells you the waterproofing was planned for the full room.